META 20, AN ON-LINE CHAPBOOK OF PICTURES AND PROSE. BY BRIAN MICHAEL BARBEITO
META 20 is an free on-line chapbook of pictures and prose. Experimental, episodic, and written in vignettes, prose poems, or hybrids,- the book is about urban and rural landscapes. Meta 20 also has a Twitter @NOVELMETA
Thursday, October 1, 2015
ONE: SOMETIMES THE SKY AND A WOLF LIKE A VISION
Sometimes the sky turns mauve and can have streaks of white. It was like that, and I am not certain whether it was an Indian summer or late springtime that had become unseasonably warm. Beside a ravine I walked, hidden from the sky save for the times when spaces opened between trees. A wolf ran past, grey, large, in the other direction and just in a bit from the path. He or she was travelling beside the water’s edge. It was only a second that I saw it for. What was it doing there? I didn’t know. And what did it mean? What does a wolf mean? I paused, and looked back. Unlike a scampering and mangy coyote I once saw, coy, almost apologizing for itself, the wolf was incredibly quick. It was like a vision but it was not a vision. Not unless you obscure boundaries and call everything a vision. I wanted to see it, call it ‘him,’ but he was gone. As I walked I could not discern his meaning.
TWO: INDIAN SUMMER INTERSECTIONS
Lately I have been worried about
something. I found a place, a secret opening at the outskirts of a forest. Not
one soul have I come across yet. I take the dogs there sometimes. About a half
hour in, past old growth Oaks and quiet soft Pines and others, there is an
intersection in the wood. You can go one of three ways. Four, if you count the
option of doubling back to where you came from. I went to the right the first
time, and found this place- absolutely wonderful. There are a few acres of
grass where a person can think and roam, where canines can run, sniff, roll,
sit, explore. But the second time is what got me worried. The second time I
took the path straight ahead. My logic was that it would loop up with the wide
open fields I had discovered the first time. So I went down a sheltered summit
that a broken tree blocked. Then I went around some dense bushes. Still it
seemed like a path. But it didn’t loop up. I definitely heard then an animal,
much larger than a squirrel, startle and then run off. I went back and cut my
losses. Once in the fields, I came across a sandy area with large paw prints
and a dead bird. Now, I wonder, - is there a mountain lion or something else
there? I am concerned.
THREE: BY SOUTH OCEAN BLVD
I was thinking that somewhere far
off an ocean must roar. But not with the sounds of the tides alone. It must
roar with colors, - the hues of the water sometimes green and sometimes blue
but more often than not a mixture of the two. Things jostle and jockey for
position, and it’s these two colors that definitely make for interesting
swirls, textures, and so on. I am not so much for the color red. Too flashy. I would even
go so far as to say it is more often than not a vulgar color. Things that are
red include blood and sports cars and fast-food signs. No, green and blue are
the colors for me. Maybe a light orange. Who knows? But the sea. The sea must
be there, and it is sour grapes I guess that is part of why I think of it.
Someone else is looking from a balcony or even better, - from the ground, at
verdant palm leaves getting kissed by the salty breeze. Ah. And the ocean
provides this gestalt that is full of prowess. That is not to mention all of
the things in there to ponder. I can hardly even go on to think about the piers
at dusk,-say, - one on each side of those palms, - to the north a few miles,
and to the south. Which one would I go to? Which one would we go to? The one to
the North has a lighthouse. That all has its own mystery. Good, yes. But I
think the one to the South should be chosen. Why? I don’t know. There are
abandoned catamarans we could sit and rest on. There is a long bungalow of a restaurant
with lights that cast a certain glow that reach out to the sand at night. It
must be there. It must still be there. In fact I know that it is.
FOUR: THE DREAM OF THE FALLEN CITIES
That was a long ago dream. There
was another in the dream and it was a dream of a fallen city at night. There
had been some problem, - well, problem to say the least. The city was in ashes
and there were large machines, like malevolent robots of some sort, roaming
about. The other person in the dream told me to get down when I tried to get up
and look around. So odd, so impossibly odd and peculiar. I didn’t know what was
what, and had no context, no point of reference. The other seemed to know, and
was nice enough. I mean, the end of the world or civilization is not a time to
worry about niceties but still, he seemed kind. There are many who are not and
I have seen those two, in dreams and in waking reality. So, there was the
feeling of orange. I am just reporting, you know? Why there was orange I don’t know.
It felt real, not like a dream, but we need to use language. It always stayed
with me. Jung calls them, I forget the tern, but defines a type of dream that
stays always in memory for its impression, for its deep result. It was like
that for sure. I wonder if I shall ever meet him. Maybe it is in a past life.
Perhaps it is in a future life. Or, it could be an alternate time-line that was
avoided. How is one to know now, though everything happens in the same
timeless-time? That dream was long ago, and I suppose there were others, I know
there were others.
FIVE: A RAVINE IS A WORLD
And they stopped here or there.
Sometimes they had a bit of water. It didn’t take much for them to satisfy
their thirst. As for satiation, they were not food motivated and only ate as
much as they needed. God. What a creation. Where, I wondered sometimes, did
they come from? Black and brown the one, and the other grey and white. They
dash around. What will the first snowfall look like? Maybe it stays away so
long so we can forget and then renew some faith. What would the places look
like at night, with the moon as the only light to show the way? The cities
sleep save for a few vehicles. Even the haughty and prideful ones have to rest.
Then, the rabbit or the fox might go across those places. Once I saw a family
of foxes come right up to the beginnings of the ravines where the suburban
grates caught the rainwater, the effluent run-off from storms. They paused and
looked at me, a friend, and the leader, perhaps the mother, did an energy
reading. Fine. They looked around some. Then receded into the night again. I
know the way. It’s where the trees used to be small and the garter snakes came
out in the rain, disturbed. They bit that guy once, no? Where is he now? He was
a good sort. So many things happened in and around there. Comic trading. The
yellow police cars getting the teenagers to dump out their beer. But it was the
storms that were the thing. I watched them from the window where the phantom
had come in once for help. Black wrought iron gates, purple plum trees and a
sour cherry tree. It’s all still there, it’s all still standing. But I don’t know
what it is like there when a heavy storm announces itself to the environs. No, it’s
all just memories. When the months where rain is allowed go away, the snow must
blanket, nestle, and keep the grounds in a certain glow. Each branch and every
feral shrub. All the small bridges and the old buildings up the way. Their
rooftops watch the firmament let its story-poem of white come to marry
everything. And the foxes…the foxes must see and hear the astute and heavy
silence of all of that. Yes the foxes know all about the middle of wintry
nights.
SIX: AUTUMNAL AND OTHER
Autumnal as she goes. And what would make you think of
the autumnal hues and all the rest? Well, the months themselves. It’s too
bright and hot in the days for a long time, but the season does arrive. Tardy,
yes, but we will excuse such a small thing because of how much we love and
adore you. Fall sacrosanct like the Eastertide or a true marriage. Thank God
for the seasons, the one thinks, because we did not have enough gumption and
creativity ourselves. She with her fallen leaves has brought us back to our
soul. Now, we will think of old lakes and families, in simpler times, when
there was some incredibly powerful presence- of nothing, of God, of
possibility. And everything came out from there, continually. We were, as
romantic as it may sound, in God, in the Source, in the timeless place out of
which all things come. We did not have a word for the perennial philosophy. We
did know too well our own religion so certainly knew nothing of the Vedas and
so on. But this proves their truth. This proves God and eternity to all. How?
Because we were in it before there was a name for it and even before any others
spoke of it. But…the hardships to come. Hard people and places, circumstances,
pitfalls, and darkness. Yet there is something they cannot take, because the
autumn has come again and we are alive, witness, seeing, sensing. There are her
trees strewn on the fields and the cold waters run themselves as if with a
motor over the river tumbled stones. We can’t say it like George Elliot or some
others, - but we can say it nevertheless- our two cents, and it is that the
good cold comes in the night and world pushes itself onwards. Someone else will
by aluminum boats, in coats, and feel the lake water splash up as the engine
goes. Look back over there to the reds, yellows, and fading greens. It’s a time
of good death. The flowing click clock of the stars. Blink on and off. The branches curl just a bit, like when we bring
our shoulders up just so and complain lightly and good heartedly that ‘its cold
out.’ Its fine and right and the way of things. The land turns barren and takes
away juicy fruit and verdant stories. It only offers itself as a small simple
poem. People don’t care for much for such things, caught up in the hoopla of
paths and the so-called glory of what is thought to be good and well. But…we
love the lonesome October fields, - the five line poem saying the same thing. I
am here. I am here. I am here. I am here even in slumber because my slumber is
not actual death nor is there such a thing. I am here.
SEVEN: A DECADE IDEAL
That was an old place where there
was a K-Mart and a burger joint. It wasn’t sketchy, dangerous, but was just
right. The richies got a hold of it and put gates up, made boutiques. Once you
see a boutique, well, more than one, that is the beginning of the end or at
least a marker that a change in collar color is happening. God, how it went
over the top. To show off is one thing, sure, - most everyone is guilty of it
at one time or another…but now…it’s like a joke but you aren’t really supposed
to laugh. Well, they won’t look at you, and sometimes the men wear scarves. Ain’t
no scuffs on the shoes. If you sing a song of back in the day, you are alone
with your song, but you gotta sing it anyhow. We went down there and the
coolest movie theatre (which they promptly got rid of in the takeover), was
down some escalators. It was like a world within a world. Mid-eighties. Summer
or winter wouldn’t matter. It was all great. They used to have these little
trees that grew in the middle of the place. Not anymore, - just plastic
replicas and a lot of restaurant signs whose names can’t be pronounced. Not by
me anyways. Then, though, - the plaid shirts and the popcorn. The atmosphere.
In the spring before the rains everything looked dirty outside and it yet it
was beautiful. The old running track and Van Morrison songs played somehow out
of a speaker. The air-brakes on the bus would sound and it was an urban sunset
mixed with wires, clouds. Civilization but not overly civilized, and the ancient
setting star.
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